new wave · rock
The Fixx
Same five men since the early eighties — the band that gave you “One Thing Leads to Another” and refuses the word “eighties”.
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Next show — TUE 15 SEPT
Uptown Theater Minneapolis · Minneapolis · details →
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Hometown
London
Genre
new wave
Upcoming
3 shows
About
The Fixx came out of London at the start of the 1980s and have kept an almost unchanged line-up ever since: Cy Curnin, Adam Woods, Rupert Greenall and Jamie West-Oram from the first records, and Dan K. Brown on bass for most of the decades since. The songs everyone knows — “Stand or Fall”, “Red Skies”, “Saved by Zero”, “One Thing Leads to Another” — were made with producer Rupert Hine, and they still open doors in America, where the band has toured almost every year. Curnin does not care for the “eighties band” label. “What is ’80s music? There’s ’70s music. There’s ’90s music,” he said, before allowing that it “was the last great original period of music”. Every Five Seconds (2022), their tenth album and first in nearly a decade, was cut live as a band — “the raw five parts clicking together became the basis of the songs”. On why the line-up has held: “We don’t compete; there’s no singular ego. There’s maybe a collective ego that we have.” September 2026 is a 19-city US tour shared with Colin Blunstone of The Zombies and Peter Asher of Peter and Gordon.
You asked, the internet answered
Frequently Googled
Is it still the original Fixx line-up?
Effectively, yes. Cy Curnin, Adam Woods, Rupert Greenall and Jamie West-Oram have been there since the start, and bassist Dan K. Brown since the late eighties. Curnin puts it down to “a deep friendship” and the absence of a “singular ego”.
Does Colin Blunstone play Zombies songs on the Fixx tour?
He says so: the set will “include songs from my solo career and some Zombies classic tunes”. Peter Asher, of Peter and Gordon, is the third name on the September 2026 bill, so expect “A World Without Love” alongside “She’s Not There” and the Fixx hits.
Does Cy Curnin mind being called an eighties band?
He argues with the word rather than the era. “I don’t think people have a handle on what to call it,” he told Rock Cellar — and then called it “the last great original period of music”. So: proud of the music, allergic to the label.
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On stage
